Welcome to the Creative Writing Blog for Seattle University!

Hi, Everybody! I'm Sharon Cumberland, the Director of Seattle U's Creative Writing Program. I'm starting this blog so that our English majors--both CW and Lit--will know what's going on in the program--our readings, our trips to the opera, our free "Writer's Chronicles"--as well as getting information about our successful grads and their publications. This will be the place for faculty, students, alums and friends of the program to talk to each other, find out what's up,and talk about craft. Come join us!

Friday, March 25, 2011

June Johnson's Brother to Read at Elliot Bay on Saturday April 16th at 5:00 PM

English faculty Professor June Johnson has a successful fiction writer for a brother--Kris Saknussemm is an experimental novelist and short story writer whose current novel, Enigmatic Pilot, is being published by Random House. He will be reading at Elliott Bay Book Company, 1521 Tenth Avenue (between Pike and Pine) on April 16 at 5 PM.


Kris a graduate of the UW Creative Writing Program and the author of the cult novels Zanesville and Private Midnight.   Lazy Fascist Press, a new hipster imprint of the Bizarro network in Portland has just brought out a collection of his short stories called Sinister Miniatures, and he will be reading from Enigmatic Pilot.

Kris has won First Prize in the Boston Review and River Styx Short Story Contests, and the FC2 Award for Innovative Writing.   A documentary film based on his live performances called Let the Dark Times Roll is about to be released. His work has appeared in Playboy, Nerve.com, Opium Magazine, 3 AM, The New England Review, The Santa Monica Review, The Hudson Review, The Antioch Review, New Letters, Prairie Schooner, Zyzzyva and the Green Mountains Review, amongst 300 others internationally.

He’s a regular contributor to key blog sites such as Bookslut, The Millions and The Nervous Breakdown. He has a great deal to say about the challenges and opportunities emerging writers face in the Digital Era.  Enigmatic Pilot has received glowing reviews and he is known worldwide for the impact of his readings. So come join the SU faculty and students who are gathering at Elliot Bay Bookstore to experience this terrific writer and reader.

Monday, March 7, 2011

CW Grad Jill Charles Published "Marlene's Piano"!

One of our first CW grads, Jill Charles, has made good by publishing her first novel, Marlene's Piano, as a POD--Print-on-Demand ebook. Jill is from Spokane and lives in Chicago now, and has worked as a journalist and a school administrator. Check out her book page at Amazon Authors or this link to the publisher: http://www.booklocker.com/books/4109.html.

I think it's great to use POD as a way to get your work out to the public and to develop a following. I'm sure that Jill will be glad to tell us about her experience, and the Booklocker website has a really interesting discussion about the relationship between traditional print books sold in bookstores and print-on-demand books sold online. A lot of you may be wondering about the process of getting your work out online and still making money (as opposed to just publishing your work for free on a website). Let's get Jill to talk to us about the process and her success using this method to attract readers to her work.

I'd also like to get a thread going about Jill's process of writing and completing her novel--whether she wrote short stories first, what her writing day is like, whether she studied CW after she left SU. Talk to us, Jill! And congrats on your fist novel-may it be the first of many!

Monday, February 14, 2011

TWO GREAT EVENTS IN FEBRUARY!

Happy Valentine's Day, everybody!

Two great events are happening this week and next week:

E2 READING (Emerging and Established Writers):
February 16th at 7"00PM at Elliott Bay Bookstore

Jonathan Evison--young, cool, local novelist of West of Here ("here" being Port Angeles, called Port Bonia in the the novel). Check out his website and come to the reading if you want to talk to a guy who a few years ago was where your are doing what you're doing: http://www.westofherethebook.com/

Weekly CW Walk-in Workshops with our own faculty, Michael Schilling and Sharon Cumberland, for starters--but there are many talented writers on our faculty and you'll have a chance to meet them here. The first session is on FEBRUARY 25th at 4:00PM in the English Office--we'll move to bigger digs as the word spreads.

Who, you may ask, is Michael Schilling? He teaches ENGL 110 and writes successful novels in his spare time--Rock Bottom, about the collapse of a Seattle rock band, that's climbing the charts. In addition to critiquing your work in an intelligent way, he can tell you how a first book gets published and what goes into the practical quest of finding an audience.

As for me, Sharon Cumberland, I've been publishing poetry for ages and ages, my chapbooks are in the SU bookstore, and my full length collection, Peculiar Honors, is coming out in October from Black Heron Press. So I can critique poetry very intelligently and give you the inside scoop on contests, submissions, and getting your poems and poetry books published.

SO COME JOIN US FOR BOTH THESE GREAT EVENTS!

Tuesday, January 11, 2011

Anne Lamott, author of "Bird by Bird," will be on campus February 5th!

If you haven't read Anne Lamott's Bird by Bird yet, you should run to the bookstore and get it--it's one of the best advice & encouragement books for writers of all genres I've ever read. It's a perennial favorite among teachers of writing because Lamott is funny, unpretentious, and full of hard-won advice and insight into how to start writing, keep writing, and how to make your writing better. I know there is a stack of her books at the SU bookstore because I ordered them for my Poetry Writing class.

Amazingly enough, this very famous (and, I'll bet, expensive to hire) speaker/writer is going to be on campus February 5th as part of the annual Search for Meaning Book Fair sponsored by the School of Theology and Ministry (STM). It will be in the Pigott Atrium and surrounding rooms, and in the Pigott auditorium. Here's the link to the schedule--Lamott is speaking in Pigott Auditorium at 10:15 AM as keynote speaker--but get there early! She's famous, she's funny, and (for you to attend) she's free! A winning combination:      www.seattleu.edu/stm/searchformeaningschedule.aspx

Here are some gems from Bird by Bird:

On writing about your family: "Remember that you own what happened to you. If your childhood was less than ideal, you may have been raised thinking that if you told the truth about what really went on in your family, a long bony white finger would emerge from a cloud and point at you, while a chilling voice thundered, 'We told you not to tell!' But that was then. Just put down on paper everything you can remember now about your parents and siblings and relatives and neighbors, and we will deal with libel later on."

On shitty first drafts: "For me and most of the other writers I know, writing is not rapturous. In fact, the only way I can get anything written at all is to write really, really shitty first drafts.  The first draft is the child's draft, where you let it all our out and then let it romp all over the place, knowing that no one is going to see it and that you can shape it later. You just let this childlike part of you channel whatever voices and visions come through and onto the page. If one of your characters wants to say ,"Well, so what, Mr. Poopy Pants?' you let her. No one is going to see it."

On jealousy: "Jealousy is one of the occupational hazards of being a writer, and the most degrading. And I, who have been the Leona Helmsley of jealousy, have come to believe that the only things that help ease or transform it are a) getting older, b) talking about it until the fever breaks, and c) using it as material. Also, someone somewhere along the line is going to be able to make you start laughing about it, and then you will be on your way home."

Thursday, January 6, 2011

Prize-wining Fiction Writer Nancy Rawles is Teaching This Spring at SU


We are fortunate to have Nancy Rawles, author of three novels, including  My Jim (Crown, 2005) spending Spring term with us as the Distinguished NW Visiting Fiction Writer.  She will be teaching ENGL 392 Fiction: Longer Forms.

Though trained as a playwright, Nancy made national news with her novel, My Jim, based on the character of Jim in Mark Twain’s Huckleberry Finn. Her novel, a deep consideration of the effects of slavery on the family and the nation, was chosen in 2009 as the focus of “Seattle Reads,” the prestigious city-wide program sponsored by the Washington Center for the Book and the Seattle Public Library.

Since Nancy has been teaching elementary school for several years she was never available to teach at SU before. Now, however, she is taking a break from teaching youngsters to bring her expertise to our students who are planning to study fiction-writing in the Spring. She has been here before, however, in 2009 to give a reading—a memorable event covered by Frances Dinger (CW ’12) in the Spectator. Read Frances' excellent article about Nancy Rawles here: http://www.su-spectator.com/2.2663/author-nancy-rawles-retells-twain-classic-in-my-jim-1.241697

This is a great opportunity for English majors to get to know one of our region's most accomplished fiction writers!

Scots Poet Brian Whittingham is Teaching Poetry at SU in Spring ‘11

Good news for everyone planning to take poetry this Spring—Glasgow poet Brian Whittingham is coming from Scotland to be the Distinguished Visiting Poet, and to teach Narrative Poetry, ENGL 393.

Brian’s seven books of poetry cover everything from Clydeside dockworkers (as he was in his youth) to a collection of children’s poetry, Septimus Pitt and the Grumbeloids. A prolific and popular poet in Scotland, Brian is also a playwright, photographer, and talented teacher. We’re delighted that he has been able to leave his teaching duties at the Glasgow College of Nautical Studies (sailors need their poets!) to join us for a term this coming Spring.

Brian’s most recent collection of poems is Bunnets n Bowlers: A Clydeside Odyssey (Luath Press Edinburgh, 2009), a reference to the hats worn by the dockworkers (“bunnets” is Glaswegian for “bonnets” which is Scots for “hat”) and the managers—whose bowler hats characterize the men who don’t work with their hands. These poems showcase Brian’s special skills as a labor poet: dialect writing, storytelling, character building, and conveying a complete world to the reader.

Here's a link to his website: http://www.brianwhittingham.co.uk/
Below are a couple of poems from Bunnets n Bowlers:




THE NIGHTSHIFT MAN

He downed a few halfs and half-pints
in the Seven Seas public bar.

His nightshift chaser
for the shipyard that never slept.

And inside the fabrication shed
dimly lit
like a Stanley Spencer cathedral,
the half-cut nightshift man,
Lilliputian against the funnels 
that seemed to touch the shed’s roof,
he shaped and formed the cold creaking steel.

And in between showers of spraying sparks 
and blinding flashes of light

a fill of rattle hammer clatter screech and whine,

the nightshift man
played midnight darts,
munches three am makeshift meals,
and stole forty in the cardboard box beds.

And when the job went wrong
her cursed long
into the wee small hours.

And in the mornings going home
to his bed he passed
newly risen nine-to-fivers
with faces as dreich
as the clouds above their heads
blotting out the blue of the sky.


INDUSTRIAL DEAFNESS

In the QUIET comfortable waiting room
of the private hospital

a guy comes through the door
exclaiming to his colleagues
that both eardrums are perforated,
his claim is looking good
and we murmur our approval,
we’ll screw the bastards
out of every penny they’ve got
we think as we grow more deaf by the minute.

(And if all else fails
there’s always bronchitis
                        asthma
                        vibration white finger
                        or asbestosis.)

and I am acutely aware
it’s too late to understand
the implications of

            ‘Right enuf, wi thae big feet
            yi could get a joab in the polis nae bother,
            Ach, bit therr’s nae tae worry,
            ah’ll get yi a joab in the yards,
            yi’ll be fixed  up fur life, so yi wull,
            fixed up fur life.’

It’s strange: in my head
I can still hear these words being said.

Friday, December 31, 2010

Happy New Year's Eve--A Writer's Resolutions

The custom of making a New Year's Resolution can be fraught with anxiety for writers--can I make up for all the writing I didn't do last year? Will I be able to write regularly this year? Will I find a publisher, a writing group, a class, a mentor? Am I dreaming? What's a realistic goal?

My take on this problem is based on the research that says you get more accomplished if you work on your writing for 20 minutes each day than if you wait for a block of time to sit down and do a huge push. That's not to say that NANOWRIMO (National Novel Writing Month in November) isn't a productive exercise, but forcing yourself to write 20-30 minutes per day keeps the pump primed. As one of my teachers, Skye Moody, says "If you sit down in the same place every day, the Muse will know where to find you."

What works best for me is having a weekly writing group. The Greenwood Poets are in their eighth year of meeting every week for two hours (they're mostly retired--those of us still laboring in the vineyards work our schedule around to make the time). So every Tuesday morning I say "OMG! I don't have a poem for the group!" and then I sit down and write one, or revise the one I brought in last week. This has caused me to produce a LOT of poetry over the last eight years. So I'm an example of someone who does well with a weekly writing session rather than a daily writing session. It's all I can manage at this point, but it's been enough to get the work out.

So what's my resolution? I have all my writing projects listed on a white board in my office. I resolve to work on each project steadily through the year--look at the board daily, decide on priorities, noodle away at the things that seem alive and current. I have one hope (I don't dare to make it a resolution) and that is that after my poetry book is out in October (Peculiar Honors, Black Heron Press) that I can return to my long-abandoned-but-much-thought-about novel.

What's your New Year's Resolution? Tell the rest of us--sharing a resolution helps you to keep it!